For Alain
I ask Alain to photograph in the courtyard of Palazzo Bertalazone, which was welcome in Turin, his last solo exhibition in 2010.
One of his paintings looks at me while I try to overcome this feeling of disgust at the injustice of the death of a designer who one should know he has done major works in this movement that is decidedly cursed Lettrism. Alain was also a friend, I can not imagine never see again.
Perhaps, some works do they begin to really live until the death of their creator?
Frédéric Acquaviva
I ask Alain to photograph in the courtyard of Palazzo Bertalazone, which was welcome in Turin, his last solo exhibition in 2010.
One of his paintings looks at me while I try to overcome this feeling of disgust at the injustice of the death of a designer who one should know he has done major works in this movement that is decidedly cursed Lettrism. Alain was also a friend, I can not imagine never see again.
Perhaps, some works do they begin to really live until the death of their creator?
Frédéric Acquaviva
Alain Satie: Stained Glass (ink on canvas), 1967
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